The Metamorphosis and Waiting for Godot Analysis | Dark humour in literature

The Metamorphosis and Waiting for Godot abridgment Dark humour in literatureMany writers fork up importantly utilized dark humor or black humor cross slipway various genres and time. Dark humor in Metamorphosis and Waiting For Godot deem non sole(prenominal) revealed to us through its various moments, ideas and issues that appeal to an audition at that time, besides it also revealed to the readers and audience the nature of its characters. Although Vladimir, tarragon, Pozzo and comfortable claim been created some like stock characters, we seem to understand through Samuel Becketts enforce of dark humor moments of Pathos, meaninglessness and stagnancy in their lives. Franz Kafka on the some other hand creates a trans shapeation in his main character, Gregor Samsa, by b out(a) him into a mere insect and watching not only Samsas family still his reading audience react to it.The opening scene of Waiting For Godot is a country road setting with a single tree, and we find Estragon stressful to remove his boots with both his hands. After much struggle, he shows zippo to be d wholeness as if removing his shoes was such a unintelligible thing to be doing and in that locationfore nothing could be d i approximately his inability to remove his boots. A little(a) later, as through out the play, each of them exchange dialogues that do not correspond or nevertheless connect to each other in any way.Estragon Ah, term of enlistment blathering and help me off with this bloody thingVladimir handing hand from the top of Eiffel tower, among the first. We were presentable in those days. Now its too late. They wouldnt even let us up. any of these dialogues would beget sent the audience into splits tho they also resound with the inability of Vladimir and Estragon living a full and meaning life.Another modelling of black humor in this play is the part w here(predicate) Estragon dialogue almost the bloodless Sea and how the very thought of it made him t hirsty. This creates a roar of laughter amongst the audience as Estragon talks nigh the Dead Sea in context to the Gospels. notwithstanding, the reality is that the water form the Dead Sea will quench no thirst, as it is passing saline. This brings out Estragons nave character as he talks about the Dead Sea in comparison to the Gospels Estragon The Dead Sea was pale blue. The very look of it made me thirsty.The entrance of Pozzo and booming on stage undoubtedly thrives on dark humor. successful is beingness led by a rope tied to his neck and pozzo says, Lets say no more. Up pig Every time he falls, he falls asleep. Up hog Back Stop Turn These unconnected instructions, almost army style, seem to evoke a laugh or at least smile amongst the audience or readers. However, the slavish Lucky seems to be put into a demeaning situation, which doesnt fail to catch the audiences attention. The consequence of Pozzo held by Lucky on a rope seems to create a reverse image of the earlier si tuation. This image brings a certain rejoicing to the audience, a laugh no doubt, and yet makes the audience aware of how parcel is fickle and can change with such a strong impact.The proficiency of contrast exp sack by Beckett in Waiting For Godot is another test to bring out humor and reveal character. Estragons constant worry of who Godot is and when he will come and Vladimirs attempt to constantly calm his nerves,Vladimir He express Saturday. I think.Estragon You think.Pozzos initial arrogance and later his dependence on Lucky while he crawls onto stage are humorous ways of representing the characters.Becketts constant use of repetition of language and actions are humorous besides stagnant. This is further intensified when Vladimir and Estragon set about nothing to eat but a single carrot and a rotten turnip,Estragon Im ravenousVladimir Do you want a carrot?Estragon Is that all there is?Vladimir I might have some turnipsThey seem to be holding on to their dignity later in the play when they meet Lucky and Pozzo. They do not show their hunger nor do they ask for food. But the moment Pozzo and Lucky leave the stage, Estragon picks up the eaten chicken bones, trying to get some sustenance out of it, Estragon makes a send at the bones, picks them up and begins to gnaw on them. All these action and dialogues used by Beckett derive a sense of black humor but reveal to us simultaneously the sterile, meaningless and unfulfilled life of its characters.When Gregor Samsa awoke one morning from troubled dreams he found himself transformed in his recognize into a monstrous insect. The very opening lines of The Metamorphosis stated in this casual style does not fail to bring a smile to the readers. For who can wake up and find themselves transformed into an insect and not panic. Strangely, Gregor seems unaffected by this transformation, assuming life would go on with his thin legs and squeaky voice.Kafka describes Gregor as this thing with a monstrous body a nd thin legs. He has legs that dont seem to support him and neither is he aware how to use them. Kafkas humorous description of Gregor Samsa trying to get on those legs and out of the admittance and back to work, Groping for support, he fell down with a little cry on his numerous legs brings out a roar of laughter as he falls back on his back and cries out in a squeaky voice for help. Gregor gave a start when he heard his voice irrepressible, painful squeaky The use of humor here reveals to us the helpless situation Samsa is trapped in and we as readers empathize with this character.Later on in the book, Kafka describes how Samsas embarrassed father throws an apple at Gregors back and the apple sticks in the insects bodyIt was an apple. Immediately, a second one flew after it. Gregor stood still in fright.Gregors serious wound, from which he suffered for over a month -since no one ventured to remove the apple, it remained in his flesh as a visible reminder.Although this seems vis ually funny, it draws upon the readers sympathy and empathy with Gregor. From this moment on G regor seems to deteriorate psychologically and physically and dies in a heap of dust, to be swept out and thrown into the trash by the Charwoman.At the end of The Metamorphosis Gregor Samsa is seen for the last time when he hears his sister playing the violin. He sneaks out of his room unaware that his current image not only frightened his family but also the lodgers who had come to stay as paying guests. Gregor attracted by playing. This episode not only reveals to us almost like children playing Peek-a-boo, a child like humor, but we readers have become pained at such a transformation of Gregor. We have also unmistakably recognized that his family members have transformed too into selfish, heartless human beings who refuse to call the insect their son or familiar (in the sisters case)I will not utter my brothers name in introductory of this monsterThus, through the examination of the two books, Waiting For Godot and The Metamorphosis, it can be concluded that it is through dark humor that the authors have brought out the respective(prenominal) characteristics of the individuals depicted. For example, the blunt Estragon, the clam Vladimir, the dominant Pozzo, the slavish Lucky or the tragical Samsa, all of these characteristics are brought out through the help of dark humor. We have encountered them all through humorous events, descriptions and pictures.